Filmmakers have progressed a long way from the early use of those rear projection scenes. We make fun of those now but Hollywood FX needed to start someplace. Today, directors can get in touch with the current state of the art innovation to help them inform their story. Some people think that there is an over dependence on unique effects, to the detriment of story and characterization. New techniques have had the most effect on historic impressives, sci-fi and animation.
Matte painted backgrounds and miniature models served films well for a very long time, making it possible for futuristic motion pictures such as Fritz Lang's Metropolis. A mix of minis and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the great look real, in motion pictures that included Jason and the Argonauts and The Golden Voyage of Sinbad. War movies that needed sea battle footage utilized miniature models in huge water tanks. This, and an approach called traveling matte, created the splitting of the Red Sea scene in The Ten Commandments. No wonder was beyond the power of special effects masters.
Further advancement came when effects supervisor Douglas Trumball created new methods for the final trip in Kubrick's 2001: A Space Odyssey. The hallucinogenic images raised the bar for others to follow. Director George Lucas rose to the obstacle and shocked audiences with Star Wars in 1977. His group developed a brand-new computer system controlled electronic camera that improved duplicated cam movement and widescreen shots. Lucas then formed Industrial Light and Magic, the company that has pioneered Hollywood FX since.
Today, we are utilized to the concept of films being shot with a blue screen and the background being included later. The effects team at Pixar has presented it to their complete length animations, such as Toy Story. The Weta workshop in New Zealand has actually developed a track record as one of the best unique effects business, specifically because the success of the Lord of the Rings trilogy.
effects will continue to advance now that the genie of technology is out of the bottle. Hollywood FX has actually made the return of the epic motion picture possible. It would have been cost excessive to develop a mock up of the Coliseum in Gladiator. Russell Crowe battles the lions in a CGI virtual world.
We laugh at those now but Hollywood FX had to start somewhere. A combination of minis and stop movement animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the wonderful look real, in movies that included Jason and the Argonauts and The Golden Voyage of Sinbad. Lucas then formed Industrial Light and Magic, the company that has actually originated Hollywood FX ever since.
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